Powered by IP owned by ZQ Entertainment and BOXO — bringing together award-winning talent, capital, creativity and cutting-edge AI to build the next generation of global media and entertainment in the UAE.
Traditional film funds invest after projects are packaged — buying into someone else's asset at the most expensive moment. APEX begins at the earliest stage of value creation: acquiring and developing intellectual property before production, so it controls the underlying asset and participates across the entire lifecycle. IP first. Capital follows.
Most investors wait for box office. APEX earns at every stage of the value chain, with multiple revenue streams that minimize equity risk.
We acquire IP — scripts, books, stories — and develop them into bankable packages. When greenlit, our development cost is repaid from the official budget.
Cost returned + 20–50% premiumWe take the equity gap — often only 10–30% of budget after pre-sales, tax credits and MGs cover the rest — in a preferred return position before normal splits.
Capital + ~20% pref + back-endWe finance marketing and release costs. P&A is repaid before equity — from theatrical revenues and all ancillary streams: streaming, TV, digital.
Repaid first, from all streamsBecause we originate and control the IP, we also participate on the producer side — separate from our investor position. Two pools of upside.
+ gaming, sequels, catalog, merchA staged roadmap designed to evolve APEX from a joint-venture platform into a full-scale global media and entertainment ecosystem — a content creation hub built for long-term economic diversification, high-value jobs and international capital.
Open now. $20M of co-GP capital for 50% of the JV/GP on participating preferred terms (1.0× capital preference, 8% cumulative preferred, then residual 50/50), alongside APEX’s $20M contributed IP. The JV deploys $18M into the fund and retains $2M for cost of capital — making it the fund’s largest single investor at $38M.
A regulated fund (Dubai / Abu Dhabi) focused on film equity, P&A financing and IP acquisition. $120M stated capitalization; $100M investable cash. Terms: 2/20 over an 8% preferred return on drawn LP capital, European waterfall (LP capital → 8% pref → GP cash → vested IP credit → 80/20), 10-year term.
Planned successor vehicles managed by the same JV/GP — studio infrastructure, debt financing facilities and further equity funds, building on the platform established by Phases I and II.






We partner with top-performing filmmakers, producers and talent with long track records of commercial success — sourced through CAA, WME, UTA, Range, FilmNation and 30 West.
Sourced & packaged through Hollywood's leading agencies and partners
We acquire and develop IP before production begins — capturing value at the earliest, cheapest stage of the asset lifecycle.
Film, television, gaming, licensing, distribution and talent management — maximizing lifetime asset value from a single IP.
Direct agency, producer and distributor relationships give access to premium projects before the broader market.
An AI-enabled production ecosystem reduces development cost, accelerates execution and improves portfolio scalability.
APEX earns across development, production, fund management, royalties and platform expansion — recurring, stacked revenue.
More films, more shots on goal — higher probability of hits and franchises, built on scale and long-term IP ownership.
A proprietary methodology funnels the entire market down to roughly five conviction projects. Each gate is a filter — creative, commercial, economic and finally data — so capital only commits to titles that have survived all four.
Source from CAA and leading agencies — preferential access to premium projects at the development stage.
Curate down to the best ~10% on creative quality, packaging, talent and commercial potential.
Filter on budget fit, shooting locations, tax incentives and production economics.
The final ~5 projects run through Cinelytic to confirm the call — making sure we are correct before capital commits.
APEX has partnered with The Cinelytic Group — the leading provider of AI decision-intelligence for film & TV. Cinelytic's greenlight-stage platform models box-office and ancillary revenue across 80+ international territories, turning slate selection from intuition into measurable signal.
Cinelytic's platform combines creative instinct with comprehensive data, real-time analytics and predictive forecasting — the same decision-intelligence trusted by major studios including Lionsgate, Sony Pictures and Warner Bros.
Illustrative representation of Cinelytic's greenlight-stage output. Each candidate title is scored across 19 predictive attributes before APEX commits capital.
Capitalization is $120M — $82M external LP + $18M JV/GP cash + $20M contributed IP — of which $100M is investable cash (the IP contribution is non-cash), against an external raise of ≈$82M.
The fund does not start empty. It begins with a deep, diversified pipeline of intellectual property already owned, optioned or otherwise controlled by the platform — not a blind pool assembled after closing.
Stress cases shown alongside the base case. We never present the base case on its own.
| Case | Net LP IRR | TVPI | Loss ratio |
|---|---|---|---|
| Base | 39.4% | 4.59× | 4% |
| Contingent 6 titles excluded | 30.8% | 3.30× | 4% |
| Production delay 12 mo / 24 mo | 36.3% / 31.9% | 4.22× / 3.58× | 4% / 9% |
| Budget overrun +10% / +20% | 34.5% / 30.8% | 3.97× / 4.14× | 6% / 13% |
| Revenue −10% / −20% / −30% | 34.0% / 28.0% / 22.5% | 3.77× / 3.03× / 2.57× | 6% / 13% / 13% |
| Combined downside (rev −20%, budget +10%, 12-mo delay) | 23.4% | 2.94× | 13% |
| Top-5 titles removed | 30.5% | 3.39× | 4% |
The co-GP round is open — $20M for 50% of the JV/GP on participating preferred terms.
A first close of $20–30M inside the same fund — no SPV, same documents, same waterfall.
Built on the realized performance of 30 partner films produced or financed by the platform’s principals, together with our own development record. We lead with the budget-weighted figure — the return on capital actually deployed.
APEX is designed to protect capital through diversification, high production volume, value-chain participation, completion insurance and institutional revenue collection.
Managed through a diversified slate across genres, budgets and distribution partners. Higher volume reduces single-project reliance and raises the probability of breakouts.
Secured through preferential CAA & top-agency relationships at the development stage, plus ZQ's active, highly selective in-house origination.
Mitigated through industry-standard completion bonds and comprehensive insurance on every project — capital protected regardless of disruptions.
By participating across the value chain, a significant portion of capital is recouped through fees before profit participation — effective exposure reduced by up to 50%.
Petr Jákl is a Czech director, producer and writer who came to filmmaking through elite sport and stunt work. A ten-time national judo champion and Judo World Cup winner, he represented the Czech Republic at the 2000 Sydney Olympics and holds a master’s degree from the Faculty of Physical Education and Sports at Charles University in Prague. He entered the industry as a stuntman and actor on international productions including xXx, Bad Company and Alien vs. Predator.
As a director he has set records in his home market twice over: his debut thriller Kajínek (2010) took the highest opening weekend in Czech box-office history, and Ghoul (2015) became the highest-grossing Czech horror film. His historical action drama Medieval (2022), starring Ben Foster and Michael Caine, is the most expensive Czech production ever mounted and won best feature at the Top Film Awards.
On the production side he works with studio-level talent and financiers — partnering with Sam Raimi on Locked and collaborating across a slate that includes Russell Crowe, Nicolas Cage, Anthony Hopkins, Mark Wahlberg, Samuel L. Jackson and Al Pacino. Through his strategic partnership with ZQ Entertainment, run by former CAA agent Ara Keshishian, he originates and develops the IP that the platform contributes to the fund.
Independent third-party coverage of commercial releases, industry relationships and production activity — as cited in the August 2026 investor letter.